concept Alessandro Bernardeschi
choreography, writing and interpretation Carlotta Sagna, Alessandro Bernardeschi, Mauro Paccagnella
musical dramaturgy Alessandro Bernardeschi
lighting and direction Simon Stenmans
assistant choreographer Lisa Gunstone
video Stéphane Broc
sound Eric Ronsse
costumes Wooshing Machine and Fabienne Damiean
with Pietro Ercolino

With the Trilogia della Memoria Paccagnella and Bernardeschi, then in their fifties, faced the test of time by revisiting 20 years of artistic, cultural and historical association. Now in their sixties, they create this new show that takes its title from the 1913 film of the same name starring silent film diva Lyda Borrelli, a masterful dancer and actress with intense movements, charged with emotion, intensity and languor.
Ma l'amor mio non muore/Épilogue, a natural sequel to the Trilogia, is an ironic show that tells of the body growing old while the soul retains the verve to launch itself into unbridled acts. It interweaves intimate memories and collective memory in the imprint left by life on the three dancer-choreographers: Carlotta Sagna, Mauro Paccagnella and Alessandro Bernardeschi, Italian artists who emigrated to France and Belgium. A work where gravity and gaiety, nonchalance and disarticulation, self-irony, joy and gravity coexist. Because it is true that love does not die, but time passes and bodies carry its weight.

With the support of Wallonie-Bruxelles Théâtre Danse

by and with Anna Basti
cover photo Fabio Artesi

What happens if ballet is stripped of its whites, bars, bows, mirrors, tips, wood, repertoires, forced smiles? What happens if it is poured into the spaces of the city? If it becomes an instrument for all possible and imaginable bodies? With Le classique c'est chic we move within the urban landscape, maintaining the structure of the typical ballet class, but declined in the furnishings and spaces of the city. Bassano is rethought as an enormous space for diagonals and manèges, where classical technique is available to all, as a magnificent tool for understanding the body.

concept and interpretation Eloy Cruz del Prado
Sound Ghaith Kween Qoutainy

Good Job, Good Boy II is a performance on the themes of intimacy, imagination, family structures and class differences. Starting from personal memories, Eloy Cruz del Prado explores the continuous search for validation that comes through work; combining auto-fiction and repetition, the artist draws attention to the mechanisms that shape the sense of self-esteem, identity and social belonging. Through the representation of three characters (the grandfather, the mule and the author himself), the performance highlights how personal experiences intersect with broader social structures and shared narratives.

Eloy Cruz del Prado (born 1992 in Cenicientos, Madrid) is a visual artist and performer based in Amsterdam. Graduated in Fine Arts and Design, his practice mainly embraces the languages ​​of performance, installation, video and sculpture.

Coreography and dance Federica Dalla Pozza e Isabel Paladin - Base 9
Music and Sound design Federica Furlani

Sound installation Federica Furlani
Thanks to Hideki Andrea Yamamoto for IT consulting and Domiziano Maselli for the realization.

With the support of  Stylnove Ceramiche
In collaboration with Comune di Nove

Project created for the activities from Citizen Engagement (CC3) of iNEST Spoke 6, Turismo Cultura e Industrie Creative, Università Ca' Foscari Venezia

National Premiere 
In Amore stems from an artistic residency in Nove, where dancers Federica Dalla Pozza and Isabel Paladin, alongside sound designer and musician Federica Furlani, delved into the ancient practice of ceramics.
The work features a ceramic sound installation, powered by real-time meteorological data, and a performance that intertwines dance and music. It explores themes of waiting, transformation, and the intricate relationship between body, material, and time.
Both the installation and the performance reflect the fragility and poetry of the creative process, inviting viewers to embrace the ever-changing nature of the present, much like clay itself.

Project iNEST - Interconnected Nord-Est Innovation Ecosystem, project cod. ECS 00000043 - CUP H43C22000540006, Spoke 6, Turismo Cultura e Industrie Creative Piano Nazionale di Ripresa e Resilienza (PNRR), Spoke 6, Tourism, Culture and Creative Industries, Università Ca' Foscari Venezia | Citizen Engagement (CC3)

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