Choreography and dance Thalia Pigier
Music Suzanne Seiller
Costumes Gloria Rodriguez and Thalia Pigier
Producers Centrale Fies - Projet Total
Supports : Liveworks Vol. 10 fellowship, La Place de la Danse – CDCN Toulouse / Occitanie, La Briqueterie - CDCN du Val-de-Marne (résidence en simple prêt), Micadanses, Atlas - ImPulsTanz (AT), Tictac Art Center (BE), Le Regard du Cygne and les Plateaux Sauvages for Tremplin Propulsion and Centre Ruth Bader Ginsburg - Actisce.
With the support of the European Union through “Culture Moves Europe” program and the support of DRAC- Ile de France (aide au projet).

In The One who leaves is not gone, Thalia Pigier travels through space and time, through History and personal stories. She takes us from Jerusalem to Rio de Janeiro, via El Dorado. On stage, paper airplanes draw an intimate cartography, where family anecdotes and scientific fun facts intertwine. The piece is built on a hyperlink’s dramaturgy, working like a Wikipedia page, jumping from one blue word to the next one, leaving all the tabs opened for the audience to weave them as they wish.
What’s left from the places we’ve been and the people we’ve met ? What remains of the starting point as we move through the world?
What is this dance that I dance?
Embracing the topics of cultural legacy, body’s memory and the rewriting of our personal memories, Thalia Pigier creates an accessible dance piece accompanied on stage by the musician Suzanne Seiller.

 With the support of Institut Français Italia. 

  

ATTENTION! SHOW CANCELED DUE TO EXTRA-EUROPEAN TRANSFER PROBLEMS

Co-production - National premiere

The source of inspiration for this work is bringing the past with the future in the current present. Practicing traditional folklore through digital media. Gathering the participants through the Palestinian Dabke and its music. The common rhythm and harmony create a space of celebration, individuality and vulnerability. Bouncing, shaking and grooving together, holding space one for another, releasing energy and moving it in a circle tribal shape. This is an individual but yet collective invitation to dream and manifest oneness, to merge with time, gender, language and ethnicity.

Nur Garabli was born and educated in Jaffa, Occupied Palestine on 1996. Nur is an Artivist, Choreographer and Dancer, She practices contemporary Palestinian dabke and brings to this practice social, political, on-stage and off-stage expressions. Nur has a B.Ed. in dance and education from the School of Dance Arts, Kibbutzim College. She is the co-founder of “Moving Together” project, together with the artist, Yasmeen Godder, where she teaches Palestinian dabke & brings together women of all ages, communities, and cultures. Garabli has curated and functioned as the artistic director of the “Moving Together” festival in March 2022 and 2023 together with Godder; she continues working to promote local art and culture within the Palestinian-Arab community in her homeland.

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

ATTENTION! SHOW CANCELED DUE TO EXTRA-EUROPEAN TRANSFER PROBLEMS

Co-production - National premiere

The source of inspiration for this work is bringing the past with the future in the current present. Practicing traditional folklore through digital media. Gathering the participants through the Palestinian Dabke and its music. The common rhythm and harmony create a space of celebration, individuality and vulnerability. Bouncing, shaking and grooving together, holding space one for another, releasing energy and moving it in a circle tribal shape. This is an individual but yet collective invitation to dream and manifest oneness, to merge with time, gender, language and ethnicity.

Nur Garabli was born and educated in Jaffa, Occupied Palestine on 1996. Nur is an Artivist, Choreographer and Dancer, She practices contemporary Palestinian dabke and brings to this practice social, political, on-stage and off-stage expressions. Nur has a B.Ed. in dance and education from the School of Dance Arts, Kibbutzim College. She is the co-founder of “Moving Together” project, together with the artist, Yasmeen Godder, where she teaches Palestinian dabke & brings together women of all ages, communities, and cultures. Garabli has curated and functioned as the artistic director of the “Moving Together” festival in March 2022 and 2023 together with Godder; she continues working to promote local art and culture within the Palestinian-Arab community in her homeland.

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

Co-production - National premiere

Choreography by Masako Matsushita in collaboration with Elena Sgarbossa Interpreters/performers: Agostini Paola, Baraldo Franca, Battistella Vanna, Belon Giuseppina, Bertoncello Paola, Boarotto Eva, Cavallin Giuseppina, Conte Lorena, Dal Santo Carmen, Dalla Palma Luisa, Gasparetti Silvana, Marcolin Gabriele, Marin Livia, Nicolli Eleonora, Peron Cristina, Peron Roberta, Pomero Mario, Quaggiotto Ida, Scotton Daniela, Tessarolo Pia
Music : Ove Holmqvist, Xavier Boissarie
Game design : Xavier Boissarie
Digital creation : Tomek Jarolim
Producers/Co-producers: Operaestate Festival Veneto, Fattoria Vittadini, Orbe
thanks to the support of Hangartfest

Dance maker Masako Matsushita presents her creation for Replay, the European project bringing together gaming and dance. Supported by the Creative Europe programme of the European Union, “Replay” is a European fabrique of innovative participatory experiences combining dance, gameplay and digital media, allowing European citizens to share playful performative experiences and replay them. “Replay” explores the rules and mechanisms of the “game” that allows the performance and how they engage participatory audiences to design innovative collective experiences with a high replay value.

RETUNE is a melting pot of resonances, each with a specific and interchangeable role. RETUNE is the coming together of entities vibrating at their own frequencies evading planning and control
rather generating axes of resonance.
RETUNE is a test on the entering into relationship of two or more entities. Spectators? Participants? Guinea pigs? You will be involved in a test where you can put your tuning and adaptation skills to it. The dynamic interaction between players and sound, resonates in a motion of constant transformation.

Italian-Japanese multidisciplinary artist, Masako Matsushita deals with movement analysis through choreography and dance, performative installations and community interaction. She explores the presence of the body into the space aiming to generate architectures for socialisation through senses, scores, maps, while enquiring the connection between culture and aesthetics, identity and tradition, virtual devices and sensorial practices.
In collaboration with the Norwegian artist Ingvild Isaksen they form the duo called A mas.ing, experimenting with how digital behaviours and virtual realities can be transformed into tactile social experiences.

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.