concept and choreography Angela Rabaglio, Micaël Florentz
interpreters to be defined

National Premiere

The company shares with the local community the practices that emerged from the research A Very Eye, which address the themes of interdependence and collective negotiation. At the center of the exploration and invention of different models of interaction: constellations of intertwined movements in constant evolution. Based on great precision and continuous rhythmic and tactile listening, the patterns will allow to create mobile combinations, to work on proprioception and groove, to use touch to see. In duets, trios and other group compositions the different constellations will be related in space and time.
Experimenting with the notions of territory and border, for the creation of a moving cartography of our social and political relations.

With the support of Wallonie Bruxelles Theatre Danse

author Sergi Casero Nieto
dramaturgical guide Markos Goikolea, Mònica Molins
external eye Mònica Molins
movement Alicia Pirez
lighting design Miguel Ruz
media design Sergi Casero Nieto
costumes Sara Clemente
sound design Guillem Rodríguez

National Premiere

A participatory performance that explores the violence hidden behind unbridled neoliberalism; between a spinning class and a performance lecture, the work presents a modern-day Sisyphus trapped in an incessant pedalling, engaged in a looping performance trying to outdo himself. With a euphoric tone and merengue music in the background, the audience is slowly seduced into being part of this delirium. But in reality, the performance also proposes strategies of resistance to break the inertia of hyper-productivity and its mechanisms of seduction. It also explores the pauses of sleep and dreaming, as spaces where neither production nor consumption takes place, a bulwark for imagining strategies to stop the incessant.

concept, coreography and direction Silvia Gribaudi
performer Claudia Marsica
outline and lights Leonardo Benetollo
costum Erica Sessa
production Associazione Culturale Zebra, La Corte Ospitale
in collaboration with Armunia Centro di residenze artistiche, Castiglioncello/Festival Inequilibrio, AMAT – Ass. Marchigiana attività teatrali, Teatro delle Moire/Lachesi LAB, Milano, Operaestate/CSC – Bassano del Grappa

R.OSA centers on a challenge: to continuously overcome one's limits. It's a revolution of the body in action, rebelling against gravity and revealing its lightness.

R.OSA draws inspiration from Botero's imagery, the 80s world of Jane Fonda, and the concepts of success and performance. This is a show where the performer is a "one-woman show" who shifts the audience's gaze into a dramaturgy composed of 10 exercises in virtuosity. It's an experience where the spectator is invited to be a voluntary or involuntary protagonist of the artistic action on stage.

The performer in R.OSA is the extraordinary Claudia Marsicano, who explosively unleashes all the lightness, freedom, and willingness to expose her physicality in an emotional performance that can both entertain and provoke thought.

From an original idea by Emmanuel Jouthe
Choreography Chiara Frigo
Dance Well Dancers in definition

National Premiere

A spectator, a performer, an iPod and two pairs of headphones: ÉCOUTE POUR VOIR is an artistic experience that connects people through the sharing of a song.
Connected through dance and movement, performers and audience give life to singular encounters, where each brief exchange turns into an intense dialogue, an interaction that is both unique and intimate.
ÉCOUTE POUR VOIR is a project by Médiation Culturelle of the Danse Carpe Diem company, which originated in Montréal in 2009, and in 2022 won the prestigious Prix à la Collaboration Internationale de Cinars award. After having traversed numerous cities and continents, it arrives for the first time in Italy curated by Chiara Frigo.