concept, creation Eric Arnal-Burtschy
technical director Benoît Simon
machine Guillaume Troublé
programming Benoît Simon & Olivier Meunier
production manager Sylvia Courty
touring manager Sylvia Courty, Stephanie Pysson
diffusion and development Ad Lib, Support d’artistes
artistic support L'L, Experimental structure for research in the living arts

production BC Pertendo
co - production ARCADI, L'L, Les Halles de Schaerbeek, Théâtre de Vanves, actOral, L'L fondation
supported by NEMO – Biennale des arts numériques, FRAC Provence Alpes Côte d’Azur, Le 104, Montévidéo – Créations contemporaines, Le Merlan, scène nationale, CDC L’Atelier de Paris – Carolyn Carlson, Le château éphémère, Centre Culturel Wolubilis

National Premiere

At the intersection of live performance, digital art, and visual art, Deep are the Woods is an immersive show in which light takes center stage. Made tangible by a fine mist, it fills the space with a sense of breath and vibration. The viewer moves freely within a light that reveals its materiality, enveloping and caressing, giving the impression that it can be grasped, and creating a space for projection that is both physical and mental. The movement of its rays gives form to the void and fills it with an intangible presence: a cathedral without walls, made of inner vibrations, which invites viewers to expand their perception of the world through the immaterial. A creation inspired by a powerful connection with nature—like the rays of light filtering through the leaves in the forest—and what lies beyond nature: what happens when one ventures deep into the forest at night, and what lies beyond the sky. There is the idea of rediscovering oneself and a connection with the Universe.