AARS Guitar Quartet
with Alberto Rassu, Alberto Santin, Raffaele Putzolu e Stefano Trevisan
guide Roberto "Popi" Frison

A musical walk will open Terre Graffiate 2025. It will take place on the Vicenza side of Monte Grappa, moving through forests and green fields. Along the way, you'll see great views of the flatlands and reminders of the two World Wars.

The music will be played by the AARS Guitar Quartet. This group has four young, talented guitarists who have won prizes in big music contests. Their music will take you on a journey from Europe to Latin America, mixing old classical styles with new sounds. They will play songs by famous guitar composers.

Supported by  

NOTE
The route is 7 km long on mountain trails, with a total climb of 250 meters. Difficulty: Medium

Parking: visualizza mappa (look at the map)

with Alessandro Paschitto, Raimonda Maraviglia, Francesco Roccasecca
text and direction Alessandro Paschitto
production Campania Teatro Festival, Ctrl+Alt+Canc
thanks to Giulia Sangiorgio, Chiara Virgilio, Chiara Cucca, l’Asilo – Ex Asilo Filangieri

Afànisi investigates the relationship between reality and the gaze that observes it, where the spectator is no longer passive but an active creator of the work in front of him. He is actually asked: but what do you want to see? And then he is invited to answer privately but in a lightning-fast, not meditated way. Free association, the most classic of the rules of psychoanalysis: think of the first thing that comes to mind, whatever it is. Each spectator will answer inside himself to a sequence of questions, with which he will physically design - with the help of the performers - his own show in the empty space. His sudden, apparently unmotivated choices will soon reveal themselves and will concern him in an unexpected way. Each person will see a different show from the person sitting next to them, a theatre that is no longer what one looks at, but what one is looked at by.

Musicians and setups being finalized

National Premiere

Lilian Terry, the lady of Italian jazz, who passed away recently, is remembered during the festival’s traditional evening dedicated entirely to jazz.
She is also honored as the founder and driving force behind the Dizzy Gillespie Popular School of Music in Bassano, where many musicians—now key figures on the music scene—received their training. Many of them will take the stage in Piazza Libertà for this special occasion.
Alongside them, around ten groups will be performing throughout the city, representing the various expressions and styles of contemporary jazz, in a program curated in collaboration with the Bacàn Music Association.

in collaboration with Bacàn

supported by  

ideation Chiara Cecconello
with Margherita D’Adamo and Chiara Cecconello
sound design and live electronics Franco Conte
light design and technical care Luca Gallio
outfit Isabella Marsella
with the support of Live arts cultures, Argo 16, spazio C3 Milano
cover photo Lorenza Cini

Aganis is a composition for two voices and live electronics. It comes from a sound research in some caves of the Venetian pre-Alps that were said to be inhabited by the anguane, mythological figures connected to the water sources, with voices inaudible to the human ear.
Aganis takes the form of an immersive quadraphonic installation inhabited by the performers and the audience; a space for listening in which to widen the ear and welcome the voices of the mythical figures. A search for connection with the inaudibility of their cry, with the unheard, the ignored or the imagined. Activating an imaginary that passes through the damp and dark holes they inhabit, touching inhuman and mineral voices, until it becomes a host space for the anguane and their shelters.