storytelling by and with Luca Scarlini
singer Beppa Casarin

National Premiere

concept and choreography Angela Rabaglio, Micaël Florentz
creation and performers Mona Felah, Christine Daigle, Charlie Prince, Jeanne Colin, Angela Rabaglio, Micaël Florentz, Sergi Parés
lighting and set design Arnaud Gerniers
music Anne Lepère

For his new creation, Tumbleweed studies the behaviour of the crowd and its language. The social group evolves as a super-organisation, working for the survival of each individual, deploying each singularity in a coherent collective movement. But the more the individual focuses on himself, the more he wants to assert his self-interest, the more he becomes detached from the community. In A Very Eye the audience, sharing the stage with the dancers and the trajectories they weave, becomes part of this constant negotiation of space and distance, in an immersive experience that invites reflection: does a collective intelligence exist and what is the value of a single individual within a society?

With the support of Wallonie Bruxelles Theatre Danse

cocreation and choreography assistance Isaiah Wilson
cocreation and performance Chiara Corbetta, Oceane Robin, Marie Levenez, Clara Lou Munié, Shynna Kalis
musical composition Guillaume Jullien
dramaturgy Amandine Truffy, Isaiah Wilson, Sarah Baltzinger
documentary research Alexandra Joly, Sarah Baltzinger
assistant and tutor Brian CA
scenography Manon Terranova
lighting design and artistic direction Thibault Dubourg
sculptures Manuela Benaim

with the support of Kultur | lx - Arts Council Luxembourg  

National Premiere

An emerging choreographer on the Luxembourg scene, Sarah Baltzinger began her career in 2010, first as a performer, then as a choreographer. Vénus Anatomique is her ninth work, in which she brings together five dancers in a raw white light that highlights the brutality of the overexposure of the female body. To address the theme, Sarah Baltzinger takes as a reference the fascinating reproductions of Clemente Susini, created at the end of the 18th century, artificial bodies intended for teaching female anatomy to medical students. The choreography is conceived and represented in a continuous back and forth between the disintegration of bodies and their instinctive strength of conservation and frenetic reaction to survive, with puppet-like and mechanical gestures. Working on the idea of ​​puppets that exist only in the eye of the beholder and whose sole mission is to perform an anatomical function, pushing the concept of uniformity to the limit.

From an original idea by Emmanuel Jouthe
Choreography Chiara Frigo
Dance Well Dancers in definition

National Premiere

A spectator, a performer, an iPod and two pairs of headphones: ÉCOUTE POUR VOIR is an artistic experience that connects people through the sharing of a song.
Connected through dance and movement, performers and audience give life to singular encounters, where each brief exchange turns into an intense dialogue, an interaction that is both unique and intimate.
ÉCOUTE POUR VOIR is a project by Médiation Culturelle of the Danse Carpe Diem company, which originated in Montréal in 2009, and in 2022 won the prestigious Prix à la Collaboration Internationale de Cinars award. After having traversed numerous cities and continents, it arrives for the first time in Italy curated by Chiara Frigo.